The version I liked best, to see the version they went with and printed, keep reading. |
I had high hopes for this cover and a pretty clear idea of what I wanted: Ominous up-shot of the alien, who we're still not sure is hero or menace, dark roiling clouds behind --a storm brewing (pretty clear subtext there,) as well as a visual touchstone (hydro poles) showing us that, despite the freaky sky, we're still here on Earth, in familiar territory.
There's a voice, that keeps on calling me... |
...down the road, that's where I'll always be. |
The publishers request to make the sky less druggy (I'm parahrasing) resulted in a red sky in almost the exact same shade as the red guy.
Also along the way I'd given the cover a flip (we do this sometimes) not thinking it through fully in this case, and thus ensured the sunset would be obscured by the logo.
In digging up this image, I see they darkened the cover a fair bit on the production end, which, I think helps some (thanks guys!)
What do y'all think?
3 comments:
I love it, and I like the way you broke it down. Can't hurt to have Stan Lee's name on the cover either. Solid work, sir!
I agree with you Kalman about the darkened cover, it works for me. But man, did that logo have to be so big?! It eats up about 40% of the cover and blocks out your art.
@Jeremy Thanks Brah!
@Josh The size of the logo wasn't really a surprise, it's been that way from the get-go.
Despite that, hey still want a full page of art for each cover so they can re-use it for promos and/or logo-free alternate covers.
I try to design with the logo in mind and not have anything important on the bottom half, but here I fucked up.
One benefit of this trade dress is I can design covers with elements high-up in the image, and even have them bleed off the top.
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